Hello everyone
No, it's not my birthday again. Although Union Gallery will be celebrating it's 1st birthday very soon.....I am SO EXCITED!!
It was the birthday of regular gallery visitor and now friend Lillian Redhead yesterday. Mr & Mrs Redhead popped in as crafty old John had told his gorgeous missus that she was getting a jigsaw puzzle for her birthday! How could he? However, on opening said present, she discovered that it was infact:
WOW. Now that's what I call a present; what a perfect husband!
"Through The Net Curtain" by Philip Braham is a unique and very special painting and it could not have gone to a better home. As I say: I love happy endings.
Happy Birthday Lillian!
John and Lillian took the opportunity to have a last look round the "Not So Still" exhibition which you all still have time to do.....my offer of a wee gin and tonic whilst viewing still stands. A really beautiful exhibition and a huge thank you to all the artists involved: Georgie Young, Cathy Campbell, Jean Hall, Suzanne Kempley, Astrid Trugg, Ruth Addinal, Drummond Mayo and of course Philip Braham.
Leaving you with this:
I am pleased to report that I finally got my "art n tart" date with lovely Stewart Bremmner. He is coming along nicely with his new abstract style and I can also happily report that his famous pies are in fact the business. Mmmmmm.....
Have a great weekend everyone x
Showing posts with label Astrid Trugg. Show all posts
Showing posts with label Astrid Trugg. Show all posts
Thursday, 29 April 2010
Wednesday, 14 April 2010
Not So Still
Hello
Thought we would have a closer peek at a few things in the current "Not So Still" exhibition.
I knew that this exhibition was going to look good, however it's even better than I could have dreamt. I knew a lot of the work had flowers in them, so I thought it important to include some related foliage.
Thought we would have a closer peek at a few things in the current "Not So Still" exhibition.
I knew that this exhibition was going to look good, however it's even better than I could have dreamt. I knew a lot of the work had flowers in them, so I thought it important to include some related foliage.
Kicking off with this:
I have already mentioned Union Gallery's humble cactus, mainly in the Jenny Matthews "Full Bloom" entry. Yes, this little fella will be doing his thing shortly, but for now I think he is complementing the following:
"Pot Plant" by Drummond Mayo.
It's just coincedence, but I think that Drummond's gorgeous painting is actually of this particular variety of cactus. My old cactus also works well with this beauty by artist Cathy Campbell:
"Early Morning Studio" by Cathy Cambpell.
Obviously this is not a cactus...a spider plant I think.....feel free to correct me. Either way everyone who views this subtle and delicately balanced painting is in agreement that it's top drawer wor: spines and spiders besides.
Next up:
"Protea and Lace" by Georgie Young.
I adore Proteas, their spiky almost unatural appearance fascinates me. I did worry that I may not get my hands on any for the exhibition. However, as you can see, I did, care of my mother. Thanks mum!
Proteas are the national flower of South Africa, which I am reliably informed (thank you) is the chosen destination for some important football tournament this year???
"Tulips" by Jean Hall.
I picked tulips from my own garden to compliment Jean Hall's striking painting....that way I knew they wouldn't clash. I even have a spare batch lined up for when these chaps get past their best.
I have a lovely gallery visitor to thank for the use of the Chinese Latterns to compliment Suzanne Kempley's painting. He took pity on me after I told him that Union Gallery hound Harry ate my sprig! I also want to point out that, through the wonders of my shocking camera skills, I have managed to distort the above image. The paintings ARE NOT SQUINT.
I thought better than to get in some kippers for Astrid Trugg's painting:
"Four fish and a lemon" by Astrid Trugg.
I did opt for a lemon though....that way I have an excuse to purchase some gin and tonic which, I have discovered, is an excellent way to take in all of these clever and very beautiful paintings. If you fancy a little pick-me-up whilst viewing some wonderful art then feel free to join me.
Speak soon x
Monday, 29 March 2010
Not so still
Hello everyone
Just thought I'd let you know whats going on in Union Gallery at the moment.
Last month saw me take delivery of some of the finest still life paintings I have seen. Indeed, the gallery is looking uber sophisticated, elegant, grown up and classy......all adjectives I am not normally associated with!
It was wonderful to finally meet Cathy Campbell and of course to finally see her work for real! I knew I wasn't going to be disappointed: see that little one at the front there? "Winter Table" its absolutely gorgeous and I have it strategically positioned opposite me in the gallery, so I can look at it all day. Cathy has never shown in Edinburgh before, so I am thrilled to have found her and to be able to show you all her beautiful work. She's fascinated by light and how it falls on the objects in her paintings. She can work for months on a single painting, as she likes to go back to the piece and capture it at different times of the day. The paint is super thick on some of her work, at times actually forming peaks.....delicious!
And take a look at this little treaure. "Orchid in Brass Pot" by Suzanne Kempley. If you look really, really closely you can just make out Suzanne's reflection in the pot. You can just see her and her easel as she works away at the painting.....amazing! It's hanging on the wall right now so if you can't make it out from this little image, come in and I'll show you. Suzanne also takes a long time to produce her work as everything she has ever painted has been observed from life. She wouldn't dream of using photographs.
The next piece is possibly my favourite of Suzanne's:
"Gourd with White Flowers". Those delicate little white flowers look like collage, however it is actually painted. The shadow under the gourd in the foreground is painted in gold leaf. Again, quite stunning.
"Evening" by Astrid Trugg. This painting has so much charm and I adore the subtle palette. Again, you may not be able to make it out from this image but, on the grey section of the background there is written a list of some of my favourite things.....Tarte aux chocolate, sorbet, chocolat chuad. Heaven on a canvas - well board actually. Astrid works on board as she likes to build up layers of paint, then scrape back and build them up again to achieve the desired effect.
Another artist who prefers to work on board and uses layering and scaping away of paint is the wonderful Georgie Young:
"Protea and Lace" has the actual lace imprints on it. Some of which I believe to be the designs of her own father who was a lacemaker. Beautiful.
Another lacey number:
"Tulips" by Jean Hall. Quite a lot of Jean's work derives from an interest in Indian fabrics and other objects, having lived there for some time. I so enjoy the sense of order and calm in Jean's work.
We will be taking a closer look at the work in the Not So Still exhibition, paying particular attention to the flowers used.
After hours. I am leaving you with this happy image.We were blessed with a little visit from artist David Hosie (left) who came in just after the opening of the exhibition. Interestingly, he was immediately drawn to Cathy Campbell's work.
Speak soon x
Just thought I'd let you know whats going on in Union Gallery at the moment.
Last month saw me take delivery of some of the finest still life paintings I have seen. Indeed, the gallery is looking uber sophisticated, elegant, grown up and classy......all adjectives I am not normally associated with!
It was wonderful to finally meet Cathy Campbell and of course to finally see her work for real! I knew I wasn't going to be disappointed: see that little one at the front there? "Winter Table" its absolutely gorgeous and I have it strategically positioned opposite me in the gallery, so I can look at it all day. Cathy has never shown in Edinburgh before, so I am thrilled to have found her and to be able to show you all her beautiful work. She's fascinated by light and how it falls on the objects in her paintings. She can work for months on a single painting, as she likes to go back to the piece and capture it at different times of the day. The paint is super thick on some of her work, at times actually forming peaks.....delicious!
And take a look at this little treaure. "Orchid in Brass Pot" by Suzanne Kempley. If you look really, really closely you can just make out Suzanne's reflection in the pot. You can just see her and her easel as she works away at the painting.....amazing! It's hanging on the wall right now so if you can't make it out from this little image, come in and I'll show you. Suzanne also takes a long time to produce her work as everything she has ever painted has been observed from life. She wouldn't dream of using photographs.
The next piece is possibly my favourite of Suzanne's:
"Gourd with White Flowers". Those delicate little white flowers look like collage, however it is actually painted. The shadow under the gourd in the foreground is painted in gold leaf. Again, quite stunning.
And what about this tasty number:
"Evening" by Astrid Trugg. This painting has so much charm and I adore the subtle palette. Again, you may not be able to make it out from this image but, on the grey section of the background there is written a list of some of my favourite things.....Tarte aux chocolate, sorbet, chocolat chuad. Heaven on a canvas - well board actually. Astrid works on board as she likes to build up layers of paint, then scrape back and build them up again to achieve the desired effect.
Another artist who prefers to work on board and uses layering and scaping away of paint is the wonderful Georgie Young:
"Protea and Lace" has the actual lace imprints on it. Some of which I believe to be the designs of her own father who was a lacemaker. Beautiful.
Another lacey number:
We will be taking a closer look at the work in the Not So Still exhibition, paying particular attention to the flowers used.
After hours. I am leaving you with this happy image.We were blessed with a little visit from artist David Hosie (left) who came in just after the opening of the exhibition. Interestingly, he was immediately drawn to Cathy Campbell's work.
Speak soon x
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